We
started off our adventures in Prague with a bang: listening to the Czech
Philharmonic. This had to be one of my favorite concerts so far—even though I
was seated neatly behind a pole for half of it. I found myself particularly
interested in the fact that there were both incredibly dissonant sections and beautifully
melodic sections, and because the more melodic sections were so lovely, it made
the dissonant sections all that much more impactful because you know the cacophony
is very much purposeful. In any case, not only was the orchestra awesome, but
it also featured incredible solos. The violin soloist in particular blew my
mind because it sounded like there were two violins playing—the soloist was
able to harmonize with himself! I haven’t been exposed to anything like that
before, and because I couldn’t see him I actually asked my classmates near me
if he really was playing just by himself (he was). It was insane.
As a side-note, I have noticed that at the
concerts we go to, the audience tends to applaud for a very long time, and the
performers go backstage and come out again multiple times. I don’t know why but
for some reason I really like this—it just makes me so glad for some reason. At
the end of the Czech Philharmonic concert, the conductor did this, and when he
was given a bouquet of flowers he passed out individual flowers to the female
musicians, which was adorable.
Rudolfinum: Czech Philharmonic concert hall
The next day we changed up our usual
schedule and went to a morning concert by the Benda Quartet. And of course, we
got lost. (Granted, the name of the location on the ticket matched like three
different locations, but anyway…) We were so late we missed at least one song.
Some of us got in before the intermission during an applause break, but others
had to wait for intermission because they were super strict on not letting
people in when the performers were playing—which makes sense but was still
unfortunate. This was my first experience hearing a professional quartet, and I
was surprised at how different it was from an orchestral performance. The
experience seemed way more personal, and I was utterly amazed at how well the
musicians communicated. They didn’t have a conductor or anything, but they still
managed to stay perfectly in synch. This was especially impressive during fast
sections—I have no idea how they managed it, but the effect was really cool.
This performance also featured chaotic dissonance and melodic non-dissonance, which
was an interesting connection to the night before. To me, it seemed like this switching
back and forth between chaos and melody very quickly showed off the performers’
skills—I dunno, that just seems hard to me, also purposefully sounding discordant seems like it would take a lot of skill too. Suffice it to say, I was very
impressed.
St. Vitus Cathedral:
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